

This carved wooden assemblage reads like a ceremonial vehicle—part ark, part machine—where the repetition of upright, mask-like forms turns structure into a gathered community. Warm, burnished tones and soot-darkened recesses give the surface a lived patina, suggesting memory etched into timber rather than merely shaped from it. The compressed, blocky mass anchors the work with gravity, while the elevated crossbeam introduces a horizon of passage, as if the sculpture were poised between departure and protection. Set against living foliage, it stages a quiet dialogue between the engineered and the ancestral, proposing travel as both physical movement and cultural continuity.







