



This work stages a visceral duel between two stylized horses, their bodies fractured into angular planes that turn motion into a kind of geometry of will. The saturated polarity of red and blue functions as more than paletteβit becomes a psychological battleground where heat and restraint, impulse and control, press against one another in tight, grinding contact. The curved, tessellated ground reads like a vortex, pulling the figures into an inevitable collision and suggesting that struggle here is not an event but a condition of being. Out of this tension, the painting speaks to conflict as intimacy: two forces locked so closely that they momentarily become one shared, bruised momentum.







