Untitled 8 (Yellow and Brown)

This work stages a quiet encounter between two chromatic atmospheres—mossy greens and ochres—held apart by a firm vertical seam that reads like a threshold between adjoining rooms or states of mind. Soft-edged geometric planes drift across the surface as if half-remembered architecture, their blurred contours dissolving certainty and turning structure into sensation. The grainy, woven texture catches light like sediment, suggesting time layered into the picture and making the composition feel both grounded and gently unstable. In its restraint, the painting becomes a meditation on borders—how separation can be both a division and a place where meaning gathers.