



This collage-like abstraction reads as a city of memory built from fragments—printed matter, fabric textures, and painted planes stitched into a restless architecture. A wide, luminous void at the center acts like a breath or rupture, forcing the surrounding color-fields to orbit it in tense, angular dialogue where warm reds and ochres contend with cooler blues and grays. The composition’s layered surfaces suggest accumulation and erasure at once, as if personal and cultural histories are being edited in real time, with each torn edge marking a boundary between what is revealed and what is withheld. In the end, the work becomes a meditation on reconstruction: beauty emerging not from seamless harmony, but from the courageous visibility of seams.







