Untitled 7 (Urban Tapestry)

This composition stages a nocturnal architecture of fragments, where cool violets and slate blues assemble like a city remembered in pixels rather than seen in daylight. A dense, almost void-like black mass interrupts the surface as a psychological skyline, while the ember-orange field below rises like heat, ground, or an inner flare pushing against encroaching shadow. The blocky marks behave as both masonry and data—suggesting how contemporary space is built from sensation, interruption, and signal—so the painting reads as a quiet tension between containment and ignition, solitude and persistence.