Untitled

A pale, nearly clinical figure collapses across a rigid chair, its limbs extended into a diagonal that reads like a quiet surrender to gravity and to thought. The monochrome surface turns the body into an object—anatomy reduced to structure—while the head cradled in the hands concentrates the drama inward, making vulnerability the central volume of the composition. Beneath, the stark red plane functions like an emotional spill or warning signal, a field of psychic intensity that the cool green form cannot fully contain. Suspended between furniture and flesh, repose and collapse, the work stages exhaustion as a sculptural state—an intimate portrait of pressure made visible.