

A cobalt figure slumps into a throne-like frame, its body stretched and exposed while multiple heads surface along the top rail like successive selves crowding the same moment. The saturated blueβset violently against a flat red groundβturns the scene into a psychological stage, where calm introspection and raw alarm coexist in the same chromatic breath. A pale, vertebrae-like column running through the chair reads as both structure and vulnerability, suggesting that what supports the self is also what can be manipulated, assembled, or undone. The work becomes an anatomy of identity under pressure: memory, persona, and fatigue stacked into one precarious seat.







