Untitled 2 (Urban Echoes)

This painting stages a restless architecture of gesture, where electric veins of pale blue splice through a dense midnight ground like lightning caught in slow motion. The composition refuses a single focal point, instead building a labyrinth of crossings and ruptures that pull the eye into perpetual motion—an image of thought itself as it branches, collides, and re-forms. Flecks of ochre and ember-like reds punctuate the cool field, suggesting brief incursions of heat and memory within an otherwise aqueous, nocturnal atmosphere. What emerges is a tactile meditation on turbulence: a networked cosmos where order is provisional, and coherence is born from fracture.