Untitled 4

A ghostly visage emerges through a dense lattice of white striations, as if the portrait is being transmitted, censored, and reconstructed all at once. The monochrome palette turns light into an erasing force—highlights bloom into absence—while the grid behaves like an architecture of surveillance that both contains and fractures identity. In the tension between the human features and the mechanical overlay, the work meditates on how modern perception is mediated: the self becomes a signal, intermittently legible, persistently interrupted. What remains is not a likeness but an atmosphere of presence—haunting, provisional, and quietly resistant.