Untitled 3 (Newsprint Enigma)

This work stages a portrait as a palimpsest of memory, where a face emerges and recedes through latticed marks like architecture seen through fogged glass. Cool blues and chalked creams temper intimacy with distance, turning skin into weathered surface and thought into texture. The dense grid interrupts the features like data or scaffolding, suggesting an identity assembled from fragments—half remembered, half recorded—held in suspension between presence and erasure.