Untitled 2 (Golden Grid)

A warm ochre lattice dominates the surface like an architectural scaffold, its matte, earthen planes both sheltering and obstructing what lies beneath. Through two window-like apertures, cool blues and greens pulse behind vertical bars, while a sudden vein of red ignites the right field—suggesting interior weather, memory, or a city seen through a guarded threshold. The composition hinges on tension between enclosure and revelation: paint becomes structure, and structure becomes psychology, inviting the viewer to negotiate what is permitted to be seen and what must remain filtered.