Untitled

Unfolding across two vertical sheets like torn pages from a fevered chronicle, the work stages a procession of bodies and beasts in a stained, earthen atmosphere where memory and instinct blur. Charcoal contours and watery washes create a porous sense of space—figures overlap, slip, and re-emerge—while sudden flicks of red and pink read as pulses of alarm, desire, and unfinished violence. Birds, dogs, and hybrid presences act as witnesses and omens, threading the scenes into a fragile ecology of looking and being looked at. The overall narrative feels ritualistic yet unstable, as if the artist is mapping a society’s private drives and public vulnerabilities in one continuous, unsettled breath.