



A turbulent field of oxidized turquoise is scored with horizontal striations, like time-lines dragged across the surface, while eruptions of vermilion push through in fractured blocks that refuse to settle into certainty. Black intervals and scraped voids behave as interruptions—moments of erasure and return—giving the work a cadence between signal and static. The tension of cool ground and heated overlays suggests an inner weather system: memory trying to surface, repeatedly blurred, yet insistently present.







