Geometrical Abstraction 1

A cruciform axis cleaves the surface into four charged fields, while a radiant oval core gathers the composition like a held breath—half halo, half aperture. The ribbed, directional strokes surge outward in disciplined waves, turning paint into pulse and making the picture feel simultaneously devotional and kinetic, as if light were being carved rather than merely depicted. Warm reds and ambers contend with cool teals and greens, staging a quiet drama of opposing climates that ultimately reconciles at the center, where boundaries become passage and the eye is invited to enter.