Untitled 119

Radiating grooves surge from a central, quartered disc like a pulse made visible, turning the surface into both compass and heartbeat. The palette pivots between cool cerulean and heated magenta-crimson, staging a quiet argument between clarity and fervor that is resolved only at the white-blue nucleus—an aperture of order within excess. By splitting the field into triangular currents, the composition suggests convergence and collision at once, as if opposing energies are being forced into a single, luminous alignment. The tactile ridges catch light as if time itself has been scored into the paint, lending the work a ceremonial, meditative intensity.