Untitled 48

This work pivots around a commanding circular form—part halo, part mechanical aperture—where a luminous white arc cuts through dense, worked pigments to suggest both protection and incision. The palette stages a dialogue between sunlit ochres and cool, misted blues, as if memory and atmosphere are being welded to something engineered, precise, and inward-looking. Scraped textures, hairline marks, and fractured seams give the surface the feel of a weathered instrument, implying time’s erosion even as the central “eye” insists on focus. In that tension, the painting becomes a meditation on perception itself: a portal where the spiritual glow of abstraction meets the hard grammar of industry.