Untitled 5 (Abstract in Yellow and Orange)

This composition reads like a luminous wall of memory—broad, sun-warmed planes of ochre and tangerine pressed into a shallow architectural space, where each scraped edge and veiled layer suggests time accumulating rather than a single moment captured. A cool blue aperture at the lower center punctures the heat like a held breath, while darker blocks and dripping traces act as seams and scars, implying structure under strain. The work balances buoyancy and erosion: light feels abundant, yet always contested by shadows that hint at what has been concealed, revised, or endured. In its quiet geometry and restless surface, the painting becomes a meditation on thresholds—between interior and exterior, presence and erasure, certainty and flux.