

A monumental faucet rises from a swollen, vessel-like body, its meticulously shaded surface turning the ordinary object into a quiet totem of containment and release. From this improbable spout, small birds spill outward as if they were water made sentientβan image that transforms βflowβ into flight and suggests freedom as something produced, regulated, and briefly granted. The spare white ground and delicate graphite tones amplify the paradox: abundance without liquid, motion without noise, a poetic economy where the simplest line becomes a boundary between domestic control and untethered imagination. The composition holds a gentle tension, implying that what we hoard inside can only become alive when it escapes our grasp.







