



Saturated fields of saffron and ember divide the surface like a threshold, where angular lattices and looping gestures negotiate between structure and impulse. Light seems to seep through triangular apertures, turning negative space into a flickering architecture that alternates between shelter and exposure. The restrained geometry on the left meets the more turbulent, flame-like marks on the right, suggesting an inner passage from measured clarity to lived intensityβan abstract meditation on how order warms into desire.







