

A muted olive automobile hovers like a suspended memory within a stark circular field, its simplified silhouette at once familiar and strangely unmoored. Around it, the city dissolves into a black-and-white mosaic of windows and facades, suggesting an urban psyche rendered as textureβdense, repeating, and slightly eroded by time. The abrasive contrasts and distressed surfaces turn the car into a quiet emblem of passage, implying both escape and entrapment as movement is imagined rather than enacted. Framed like a lens or portal, the composition reads as a meditation on modern transit: the private capsule drifting over a collective, restless grid.







