Untitled 10 (Cut Out Collage)

This diptych stages an intimate argument between fracture and coherence: on the left, the field feels shattered into angular slivers, as if a once-stable design has been interrupted by stress lines and sudden, declarative cuts. On the right, those same red, granular forms reassemble into a more legible ornament, the negative space acting like breath between motifs, letting the pattern recover its rhythm without erasing the memory of rupture. The restrained palette—brick-red against a chalky ground—turns the work into a study of pressure and release, where geometry becomes a metaphor for how meaning is continually broken, rearranged, and made whole again.