Untitled 29 (Hillside Reverie)

This work reads like a weathered topography seen through memory: an earthen mass rises against a washed, pale sky, its contour softened as if time has eroded certainty into atmosphere. Scraped, diagonal striations pull the eye across the surface like wind or current, while bruised blues and mossy greens seep through warm ochres, suggesting life persisting beneath a scarred crust. The composition holds a quiet tension between solidity and dissolution—land becoming sensation—inviting the viewer to feel place not as a site, but as an accumulating imprint of pressure, passage, and return.