Untitled 24 (Misty Peaks)

This landscape compresses mountain and valley into a series of softened, interlocking planes, where the earth’s ochres and rusts feel gently eroded by time and weather. A cool ribbon of blue—half river, half shadow—threads through the composition, creating a measured counterpoint to the warmth of the hills and guiding the eye toward the distant, darkened peaks. The grainy, tactile handling of color lends the scene a meditative hush, as if the terrain is being remembered rather than observed, turning geography into an inner map of calm persistence. In its quiet shifts between heat and coolness, the work suggests a dialogue between endurance and flow—solid ground yielding to the slow, shaping patience of water and light.