

This work stages an austere allegory of industry: a brick-like chamber anchored to twin conveyor belts becomes both shrine and furnace, where bodies seem processed into function. The warm rust and earthen reds seduce the eye even as the repetition of small wheels and prone forms generates a quiet dread, turning mechanical rhythm into a moral pulse. In its stark, emptied space, the piece reads as a meditation on laborβs dehumanizing loopβtime, flesh, and material reduced to a single relentless throughput.







