Untitled 10 (Golden City)

This densely tessellated abstraction reads like a city remembered through heat and dusk—structures reduced to flickering blocks that hover between architecture and pure sensation. Ochres, ambers, and earthen reds pulse against smoky neutrals, creating a rhythmic push-and-pull where light feels excavated from within the paint rather than cast upon it. The composition’s mosaic tempo suggests innumerable lives compressed into a single field, a quiet meditation on how collective presence becomes pattern, and how memory turns the built world into ember-like afterimages.