Untitled 1

This painting compresses the city into a vibrating mosaic, where stacked ochres and ember-pinks flicker like lit windows seen through dust and memory. The composition refuses a single vantage point—buildings dissolve into rhythmic blocks and scratches—suggesting an urban organism perpetually under construction, perpetually eroding. Light is not merely depicted but excavated from the pigment, creating a warm radiance that feels both celebratory and claustrophobic, as if intimacy and congestion share the same breath. In the hazed lower register, the city’s pulse softens into silence, hinting at the fragile ground beneath all this human insistence.