



In this layered tableau of figures and bicycles, the work turns everyday transit into a choreography of survival, where bodies and machines interlock as quiet instruments of labor and passage. A restrained, almost archival palette is punctured by abrupt stains of cobalt and saffron, as if memory has been re-inked with urgency, while the floating dots read like calibrated markersβcounting, cataloging, and subtly questioning who is seen and who is overlooked. The overlapping silhouettes compress space into a shared corridor, suggesting a cityβs invisible economy where proximity does not guarantee connection, only coexistence. Light behaves less as illumination than as exposure, sharpening edges and leaving certain faces suspended between anonymity and presence.







