Untitled 6 (Tribal Harmony)

A procession of three masked figures advances across a field of incandescent reds and sunlit ochres, their dark silhouettes etched with intricate white filigree that reads like memory, ceremony, and inherited craft inscribed on the body. The composition balances repetition with subtle variation—each stance a different register of vigilance—while the lattice of marks behind them evokes a city’s pulse or a woven textile, situating identity within both public space and ancestral pattern. Birds cut through the upper left as a counter-melody of release, softening the militarized undertone of the masks into a more complex narrative of protection, resilience, and breath. Color becomes a form of sound here: bright, percussive, and insistent, yet held together by the patient, meditative linework that insists on continuity amid disruption.