Untitled 1 (Untitled (Landscape))

This rugged coastal abstraction is built from scraped, weighty planes of paint that collide like strata under pressure, turning the shoreline into a geography of memory rather than a literal view. A band of saturated blue presses against a sudden flare of ochre light, while fractured greys and earth tones anchor the scene in the stubborn physicality of rock. The compositional diagonals and torn edges suggest both erosion and resilience—nature’s slow edits made visible—so the eye moves between open sea-breath and the dense, tactile hush of land. In that tension, the work reads as a meditation on thresholds: where clarity meets abrasion, and where a landscape becomes an inner weather.