Untitled 6 (Undertow)

This work stages a quiet collision between restraint and rupture, where veils of cement-grey paint attempt to mute the undercurrent of bruised reds and dusty blush that keeps surfacing like memory through plaster. Broad, dragged strokes and scraped interruptions create a palimpsest of gestures—erasure and insistence happening at once—so that space feels built, demolished, and rebuilt in the same breath. The faint geometric markings read as tentative coordinates, suggesting an order that never fully holds, while the scattered white flashes act like brief apertures of clarity in an otherwise weathered emotional terrain.