Untitled 2

This composition stages a quiet collision between architecture and organism: arched, boatlike forms overlap as if memories of structures and vessels are being pressed into a single, shifting emblem. Cool blues and slate greens soften the edges, while the dark vertical band anchors the scene like a threshold—an insistence of gravity against the painting’s otherwise floating, provisional geometry. The smudged charcoal contours and translucent layers suggest construction and erasure at once, turning the image into a meditation on passage, enclosure, and the fragile effort to hold disparate inner spaces together.