Untitled 1 (Geometric Blues)

This abstract composition stages a restless architecture of triangles and fractured frames, where translucent mint and slate planes slide over one another like shifting thoughts seeking alignment. A dense field of cobalt anchors the lower register, acting as both gravity and silence against which the sharper red accents read as interruptions—signals of urgency threading through calm. The paint’s drips and soft-edged overlaps keep the geometry from hardening into certainty, suggesting a lived space where structure is continually negotiated and reimagined. In this way, the work becomes a meditation on balance: the desire for order held in productive tension with the inevitability of change.