Untitled 3 (Blue Abstraction)

This abstract composition reads like an urban palimpsest—cool strata of slate and steel-blue laid down in architectural blocks, then scraped, veiled, and reassembled as if memory keeps revising the plan. Sulfurous yellows and embered oranges ignite within the grid like interior rooms glimpsed through fogged glass, introducing a pulse of lived warmth against the painting’s measured restraint. The interplay of opaque masses and translucent washes creates a shifting depth, where thresholds, windows, and interruptions suggest both containment and passage. In its quiet abrasions and luminous breaks, the work becomes a meditation on how light persists inside structured systems, turning confinement into a site of possibility.