Untitled 55 (Crimson Tapestry)

A lattice of ember-red planes builds a fractured architecture, as if the painting were assembling a city from memory rather than from streets—blocks of color locking together while refusing a stable map. At the center, a restless web of linework and chromatic flecks vibrates like overheard conversations, turning the surface into a living circuit where order and improvisation collide. Deep teal and umber forms at the margins behave like weighty silhouettes—walls, voids, thresholds—quietly compressing the space and intensifying the sense of containment. The work ultimately reads as a meditation on modern density: warmth and urgency held in tension with the need for refuge, a cartography of emotion disguised as built form.