Untitled 51 (Kaleidoscope of Colors)

This painting stages a tense conversation between structure and surrender: a dense, gridded mosaic of clipped color fragments accumulates into a central knot, only to dissolve into drips and scratch-like filaments that read as memory unraveling. The right-hand field of ochre-orange opens like a held breath, its quiet expanse amplifying the turbulence at the core and turning negative space into a psychological threshold. Luminous greens and blues flicker against earth tones, suggesting a city-plan or interior map that has been weathered—its order still visible, yet insistently breached by time, impulse, and the inevitability of seepage.