Woman (Untitled)

This abstract composition stages a tense negotiation between structure and seepage: crisp horizontal bands of ochre and crimson are interrupted by vertical gray pillars, as though architecture itself is trying to hold the frame together. Beneath the disciplined geometry, pigment bleeds and drips like weathered memory, turning the surface into a palimpsest where time erodes certainty. The high-contrast palette—industrial black and concrete white set against heat-bright yellow and a single bruised red—suggests an urban psyche, equal parts restraint and flare. What emerges is a quiet narrative of containment and release, where order is never pure, and emotion insists on staining the grid.