Untitled 2 (Crimson Tide)

This work stages a charged dialogue between containment and eruption: four panel-like fields press against one another as if architectural rooms, yet their borders bleed, buckle, and contradict the promise of order. The dominant reds read as heat and insistence, while the shadowed, gridded quadrant with its small cross-marks suggests a measured, almost devotional mapping—an attempt to quantify what remains volatile. Thin, errant lines and scraped edges act like afterimages of decisions, turning the surface into a palimpsest where structure is repeatedly drawn, doubted, and redrawn. In the end, the painting holds space like a psychological plan: intimacy and pressure, control and exposure, all suspended in a tense, luminous equilibrium.