Untitled 135 (Golden Awakening)

This abstract composition unfurls like a half-remembered room flooded with late-afternoon heat, where a dominant field of ochre presses forward as both atmosphere and emotion. Angular, broken planes of white and ash-gray collide with a weighty, earthen brown mass, creating a quiet tension between shelter and exposure, presence and erasure. The paint’s softened edges and abrupt cuts suggest shifting viewpoints—memory edited in fragments—while a small pulse of violet becomes a fleeting interior signal, a breath of vulnerability within the sun-burnished calm. In its restrained turbulence, the work reads as a meditation on threshold spaces: the places we inhabit physically, and the ones we carry as sensation long after the walls dissolve.