Untitled 131

Broad planes of ochre and umber brace a pale, sculptural core, as if a folded sheet of light is being pressed into form and then released again. The composition hinges on a tense intersection of angles and soft abrasion, where scraped edges and hazed transitions suggest memory being revised rather than recorded. Warm fields behave like architectural walls, yet the central white passage opens a quiet corridor of breath—an insistence on clarity within the weight of surrounding matter. In this push and pull between solidity and dissolve, the work reads as an interior landscape: a moment of balance held at the threshold of collapse and renewal.