



Rendered in a hushed graphite palette, the work assembles a quiet metropolis of totemic figures—half-architecture, half-organism—stacked in gentle tiers that feel both playful and precariously provisional. The soft smudged shading gives each form the weight of a memory, while the surrounding blankness functions like a silence that presses in, making the populated lower field read as an island of communal invention. Above, the fragmented body drifting across the top margin becomes a surreal weather system: a reminder of the human presence dispersed, dismembered, and yet still governing the scene like an absent author. The piece meditates on how settlements—social or psychological—are built from small, repeated units of care and absurdity, held together by imagination more than certainty.







