Way Of Sitting 2 (Flight and Form)

This work stages a quiet drama between geometry and flight: angular birds, faceted like cut stone, skim across a landscape rendered in soft, stratified bands that feel at once aerial and geological. The restrained palette of sage, sand, and ash is punctuated by a small flare of orange—an ember-like plant form—suggesting resilience and sudden life within an otherwise muted terrain. Light seems to fracture along the birds’ planes, turning movement into a crystalline shimmer and making the air itself feel sculpted. In this tension between sharp-edged bodies and gently receding space, the piece reads as a meditation on migration, adaptation, and the fragile pulse of color that persists amid vast quiet.