Way Of Sitting (Avian Geometrics)

This composition stages a quiet metamorphosis: angular branches rise like sculpted planes, cradling crystalline birds that seem halfway between origami and fossil, suspended in a hush of sand‑toned light. The palette—ochres, sepias, and pale golds—creates a dusk-like atmosphere where warmth and austerity coexist, while faceted forms fracture the scene into shifting viewpoints, as if memory itself were folding and refolding. Negative space becomes a kind of breath around each figure, turning flight into contemplation rather than spectacle. In this terrain of deliberate geometry, nature is not depicted as wild but as distilled—an emblem of resilience and fragile beauty held together by structure.