Untitled 1

This work stages a vertiginous close-up of a face that seems to dissolve into architecture, where the gaping mouth becomes a vaulted chamber holding a prone figure like a secret kept under the tongue. Smudged graphite and bruised, powdery whites are punctured by acid teal and rusted reds, turning breath into atmosphere and anatomy into a site of confinement, confession, and uneasy care. The composition’s diagonals and cutaway planes press inward, as if perception itself is being dissected—an image of the mind crowded with systems, grids, and the muted violence of containment. In this conflation of portrait and interior, the piece reads as a psychological x-ray: intimacy rendered as enclosure, and voice as the threshold where the self is both protected and imprisoned.