

This work stages a monumental temple façade as both archive and theatre, where tiered bands of carved bodies accumulate like sedimented memory, compressing myth, labor, and devotion into a single vertical ascent. Burnt umbers and sooty blacks hold the relief in a chiaroscuro that feels excavated rather than painted, letting the forms emerge as if from time-worn stone while the scene’s density vibrates with ritual motion. At the base, the small, brightly dressed figures read as present-day witnesses—fragile flashes of lived color against an ancestral permanence—quietly suggesting how contemporary life negotiates reverence within the overwhelming weight of history.