Untitled 2 (Field of Gold)

This painting immerses the viewer in a thicket of vertical strokes where ochre yellows and mossy greens braid together, turning the simple vocabulary of grass into a vibrating field of sensation. The surface reads like wind made visible—layer upon layer of dragged pigment that alternates between concealment and revelation, suggesting depth without conceding a horizon. By refusing a single focal point, the work becomes an experience of attention itself: a meditation on how nature’s abundance can feel both nourishing and overwhelming, luminous and shadowed in the same breath.