



This composition stages yellow not as a simple hue but as an architectural presenceβfour luminous fields held in a strict grid that feels at once window-like and insistently abstract. Thin grey seams, faint drips, and scattered stains interrupt the chromatic certainty, letting the surface disclose its own making and the quiet tensions that hold order together. The work hovers between clarity and erosion: a sunlit optimism tempered by traces of abrasion, as if light were being measured, contained, and tested against the inevitable seep of time and matter.







