Untitled (Untitled)

This painting stages a city as a half-remembered apparition: pale, calligraphic whites sketch a fragile skyline that seems to hover between construction and dissolution. Broad fields of green and ochre press against a cool, open sky, creating a charged dialogue between organic mass and urban geometry, while the underpainting’s warm flashes suggest life pulsing beneath a veil of mist. The composition reads like an internal map—where place is not fixed but continually rewritten—inviting the viewer to feel how modern landscapes are held together as much by longing and perception as by steel and stone.