Untitled 2 (Earthy Hues)

This painting distills a shoreline into a quiet choreography of planes, where ochres and sand-golds are held in suspension by broad, muted mauves that feel like weathered sky and memory. Fine, taut lines—like rigging, wind-trails, or distant infrastructure—slice across the horizon, introducing a fragile sense of human intention against the slow gravity of land and water. The surface alternates between scraped transparency and dense, earthen opacity, suggesting time’s accumulation and erosion in the same breath. What emerges is less a literal place than a meditation on passage: light arriving in streaks, then dissolving back into silence.