Untitled 11 (The Tapestry of Faces)

This composition reads like a palimpsest of memory—an airy, ash-grey field incised with symbols, faces, and totemic fragments that surface and recede as if the mind is editing itself in real time. Warm bursts of ochre, vermilion, and electric blue punctuate the haze, forming a rhythmic constellation of circles and triangles that suggests both circuitry and ritual, the mechanical and the mythic braided into one language. The faintly rendered profiles feel half-discovered, half-erased, implying identity as an accumulation of marks rather than a fixed portrait, while the layered textures turn “empty” space into a charged atmosphere of whispered narratives. In this suspended, archeological light, the work proposes that meaning is not declared but excavated—found in the tensions between clarity and concealment.