Untitled 15

This work unfolds as a weathered field of ochres and chalky whites, where horizontal strata drift like sedimentary memory—each layer both concealing and revealing what came before. The softened palette, punctuated by faint blushes and bruised grays, turns light into a kind of breath, dissolving edges and allowing space to hover rather than settle. Its surface reads as a quiet palimpsest: time, erosion, and touch made visible, suggesting an interior landscape in which calm is never pure but patiently earned through accumulation.